The Portuguese in the Americas Series aims to contribute to the growing field of Portuguese-American Studies. The Series documents the variety and complexity of the Portuguese-American experience by publishing works in the social sciences, history and literature.
Move Over, Scopes and Other Writings
University of Massachusetts Press
Move Over, Scopes and Other Writings
Julian Silva

Tagus Press at UMass Dartmouth

2011 . 240 pp. 6 x 9"
Fiction & Literature / Fiction/ Portuguese Ame Fiction

$19.95 Paperback, 978-1-933227-33-7


Richly-textured narratives of Portuguese-American life, mixing culture politics with arch playfulness.

Move Over, Scopes and Other Writings both extends Julian Silva’s richly-textured portrait of Portuguese-American community life in his narrative diptych, Distant Music, and enlarges it to include subjects as varied as backbiting London theatre has-beens (“The Waxworks Show”), a final pilgrimage to the Brontë parsonage (“A Visit to Haworth”), and recollections of a Japanese-American babysitter interned following Pearl Harbor (“Kimi”). As always, Silva is fully attentive to descriptive detail and apt choice of metaphor—nowhere more so than in recalling livestock being raised and dispatched in “Coming to Terms with the Facts of Animal Life.”

The novella Move Over, Scopes, however, does it all, as Henry Ramos attempts to mollify fellow Portuguese-American Catholics—led by his own wife Louise—outraged over Estelle Dobson teaching Darwin’s theory of evolution. Twists and turns include machinations of a hotly contested School Board election and the need to resist Miss Dobson’s seductive appeal. At a time when Creationism may be making a come-back, Move Over, Scopes could not be more timely.


“No other American writer of his generation is nearly as urbane as Julian Silva—courteously and compassionately accepting of human fallibility and the messiness of love and death. He glides from gentle mockery to whiplash irony, an intrepid votary at flesh-and-blood altars, embracing the plight of outcasts, the insulted and the injured.”—Alexander Blackburn, former editor of the University of Colorado's Writers’ Forum.

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